We have 4 fight sequences to choreograph and perfect for Hearts Like Fists. This means hours of rehearsal to get every move just right, taking the fights at 1/2 speed, then 3/4, and finally full speed. Punches, kicks, slaps, and tumbling moves have to be precise - not only to give the fight the illusion of reality, but also for safety. This week we have our final rehearsals with Aaron as we get ready for Edinburgh.
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Rehearsal at Anoka Ramsey Community College Cambridge Campus |
In addition to figuring out blocking, memorization, characterization, pacing, and all technical elements like sound, lighting, costumes, and props.
The last time I directed this show we had to cut it to meet the 35 minute MSHSL One Act requirement - and we had about 15 actors and 3 technicians. This time we're taking the whole show with 7 actors and one technician. That means we've done some creative re-imagining of some scenes - with a few characters being played by life-sized dummies designed by the amazing Deb Oas Koepsell. Made to fold up in a suitcase and travel - the actors have also been having a good time figuring out how to incorporate these puppets into the show.
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Rehearsal with our dummy friend at AR Cambridge Campus. |
Lessons learned:
1. Going back and exploring a text you've worked with before is a worthwhile endeavor and, like re-reading a favorite book, provides new insights and understanding.
2. A well-planned fight takes hours to rehearse to make it look spontaneous.
3. Safety first! But it's hard to fight slow when you want to go fast!
4. I never thought I'd hear the following phrase in my lifetime: "MO - I put the bodies in the back of your car."
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